High-energy sport work where the footage is already doing a lot - fast movement, mixed lighting, skin under stress. The job was to push contrast and saturation hard enough to feel punchy without letting skin go plastic or highlights clip into noise.

I built a contrast curve with controlled roll-off at the top end, drove brand-critical hues selectively, and ran tight shot-to-shot balancing so continuity held through setups that were never going to match on their own.