Immersive formats break most of the rules you rely on in conventional production. You can't control where the viewer looks, cuts behave differently, and spatial continuity matters in ways that flat screens forgive.

I plan capture, stitching, and finishing with the playback environment in mind from the beginning - whether that's a headset, a dome, a large-format installation, or a controlled venue screening. The story still needs to land emotionally and the image still needs to hold up technically, even when the format is doing something the audience hasn't seen before.