Music placement is a timing and licensing discipline as much as a creative one. The wrong track at the right moment still doesn't work, and the right track with unclear rights is a problem waiting to surface.

I curate music selections carefully against picture edit rhythm and narrative intention, then manage licensing clearance and delivery requirements across versions. The goal is a placement that feels inevitable - like the track was always meant to be there - while making sure the paperwork behind it is just as clean.